There are some ideal ways of telling players who is in the team – but your hand may be forced by timing and availability.
It is best that the team is announced to the whole squad in person, if at all possible.
I would always deliver bad news first. The management of non-selected players is key not just to high-performance international players, but whatever team you are dealing with.
If you are with the players every day, you can meet them in person on most occasions. Otherwise, you will need to find a way of speaking to them directly, probably via a phone call.
Emailing or texting them is the last resort, unless they have specifically asked to be told that way. If they haven’t, you should only do it if the player is unable to take a call. However, you should know the windows of opportunity to speak to the player.
At the start of the season, I ask players what method of communication they prefer.
As senior coach, I will be the one who gives the bad news. I give the rewarding job, of telling players they have been selected, to the assistant coaches.
This type of communication dramatically changes during a day-long, or two-day, tournament.
At a Sevens tournament, for example, where you are selecting a team every couple of hours, you have to have your wits about you to tell players they are in or out of the semis or the final.
As a season or tournament progresses, the timing of the selection gets further and further back from the matchday.
Initially, we want players to be firing as long as possible before the game, trying to prove their worth to the team. As things progress, and as the team becomes more settled, we can announce who is playing earlier.
Whatever way you choose, honesty must drive everything.
Remember – all players, at all levels, will have bad games.
At the elite level, you measure this by bench-marking each international player within your squad. You can tell if he or she reached their potential for the game. That can work at all levels.
For elite players, consistency is greater for those who are more experienced or talented.
Take, for example, selection debates between Marcus Smith and George Ford, or Henry Pollard and Manie Libbok. Ford and Pollard vary rarely had bad games, even by their own high standards.
But, whoever the player at whatever the standard, everyone wants help and feedback off the back of poor or indifferent performances. You have to address it head on.
Again, you have to be honest. But if the environment is positive, and your aims are clear, the player will be most of the way to recognising what went wrong, and therefore on the path to looking for ways to correct this.
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